“The emotional, physical and aesthetic value of a sound is linked not only to the causal explanation we attribute to it but also to its own qualities of timbre and texture, to its own personal vibration. So just as directors and cinematographers (even those who will never make abstract films) have everything to gain by refining their knowledge of visual materials and textures, we can similarly benefit from disciplined attention to the inherent qualities of sounds.” MICHEL CHION


沒記錯的話,這是在談到ACOUSMATIC SOUND時,提到的概念。換句話說,很多時候,聲音設計師會鍾情於聲音本身的質地,這個質地往往不需要日常經驗來輔助、解釋他為什麼會喜歡。
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Didierwei, Pause and Play. 聲音設計滯留中

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