Didierwei, Pause and Play. 聲音設計滯留中

“The emotional, physical and aesthetic value of a sound is linked not only to the causal explanation we attribute to it but also to its own qualities of timbre and texture, to its own personal vibration. So just as directors and cinematographers (even those who will never make abstract films) have everything to gain by refining their knowledge of visual materials and textures, we can similarly benefit from disciplined attention to the inherent qualities of sounds.” MICHEL CHION


一個『聲音』在物理上、美感上與心理上的價值，不僅僅只能透過我們的日常經驗（聽覺經驗）來解釋，更可以單純地由聲音本身的音色、質地以及震動來感知。就像是電影導演或是視覺藝術家，可以透過自身對於視覺素材質地的廣泛涉獵，來增加其影像能力，我們一樣可以透過----練習對聲音質地的關注----，來增加我們使用聲音的能力。


沒記錯的話，這是在談到ACOUSMATIC SOUND時，提到的概念。換句話說，很多時候，聲音設計師會鍾情於聲音本身的質地，這個質地往往不需要日常經驗來輔助、解釋他為什麼會喜歡。